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Gordon Byron)
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Å×·¹»ç¿Í ÇÔ²² °¡Á¤À» ²Ù¸®°í ½¬¸é¼ Á¶±¹¿¡ ÀÚ½ÅÀÇ ¸í¿¹¸¦ ȸº¹ÇÒ ±âȸ¸¦ ¿¸ÁÇÏ´ø Áß, 1823³â 4¿ù¿¡ ·±´øÀÇ ±×¸®½º À§¿øȸ·ÎºÎÅÍ Åõ¸£Å©¿¡ ´ëÇ×Çؼ µ¶¸³ÀüÀïÀ» ÇÏ°í ÀÖ´Â ±×¸®½ºÀεéÀ» µ½´Â ¿ä¿øÀ¸·Î¼ È°µ¿ÇØ´Þ¶ó´Â ¿äûÀ» ¹Þ¾Æµé¿´´Ù. ¹ÙÀÌ·±Àº 7¿ù 16ÀÏ Àü¼¼¹è¸¦ Ÿ°í Á¦³ë¹Ù¸¦ ¶°³ª 8¿ù 2ÀÏ ÀÌ¿À´Ï¾Æ Á¦µµÀÇ ÄÉÆÈ·Î´Ï¾Æ ¼¶¿¡ µµÂøÇØ ¸ÞŸ»çŸ¿¡ ÀÚ¸®Àâ¾Ò´Ù. ±×´Â ±×¸®½º ±ºÇÔÀ» ¸¶·ÃÇÏ·Á°í 4,000ÆÄ¿îµå¸¦ º¸³ÂÀ¸¸ç 12¿ù 29ÀÏ¿¡ ¼ºÎ ±×¸®½º ºÎ´ëÀÇ ÁöµµÀÚÀÎ ¾Ë·º»êµå·Î½º ¸¶ºê·ÎÄÚ¸£´ÙÅ佺 ¿ÕÀÚ¿Í ÇÕ·ùÇÏ·Á°í ¸Þ¼Ö·Õ±â¿ÂÀ¸·Î °¬´Ù. ±×´Â Åõ¸£Å©°¡ Àå¾ÇÇÑ ·¹ÆÇÅä ¿ä»õ¸¦ °ø°ÝÇÏ´Â °èȹÀ» ¼¼¿ì´Â µ¥ ¸Å¿ì ¿¼ºÀûÀ¸·Î Âü¿©Çß´Ù. Æ÷º´´ë¿¡ ¹ß»çÀü¹®°¡¸¦ °í¿ëÇÏ°í, ±×¸®½º¿¡¼ °¡Àå ¿ë°¨ÇÑ ¼Ö¸®¿Ê º´»çµéÀ» Á÷Á¢ Åë¼ÖÇßÀ¸¸ç ºñ¿ëµµ ´ò´Ù. ¶ÇÇÑ ÆÄ´çÀ» ÈÇؽÃÄÑ ±×¸®½º ¼ºÎ¿Í µ¿ºÎ¸¦ ÅëÇÕÇÏ·Á°í ³ë·ÂÇß´Ù. ±×·¯³ª 1824³â 2¿ù 15ÀÏ ½ÉÇÑ º´°ú Åë»óÀûÀÎ »çÇ÷(Þáúì)¿ä¹ý¿¡ ÀÇÇØ ¸öÀÌ ¾àÇØÁø µ¥´Ù°¡ ¼Ö¸®¿Ê±ºÀÌ ÀÏÀ¸Å² ¹Ý¶õÀ» ÅëÇØ ±×µéÀÇ Å½¿åÀ» ¸ñ°ÝÇÏ°Ô µÇ¾ú´Ù. ±×¸®½º¸¦ À§ÇÑ ¿Á¤ÀÌ ÁÙÁö´Â ¾Ê¾ÒÁö¸¸ Á»´õ Çö½ÇÀûÀ¸·Î ¹®Á¦¸¦ º¸°Ô µÇ¾ú´Ù. ±×»Ó¸¸ ¾Æ´Ï¶ó ÄÉÆȷδϾƿ¡¼ µ¥·Á¿Â ½ÃÁ¾ÀÌ¸ç ¸¶Áö¸· °íÅë¿¡ Âù ½Ã¸¦ ½á¼ º¸³»±âµµ ÇÑ ±×¸®½º ¼Ò³â ·çÄ«½º Âû¶õµå¸®Æ®»ç³ë½º¿Í °¡²û ºÒÈ°¡ »ý°Ü Á¤½ÅÀûÀÎ °íÅëÀ» ´À²¼´Ù. ±×´Â »ì·Î³ª¿¡¼ ¿¸®´Â ȸÀÇ¿¡ Âü¼®ÇÒ °èȹÀ» ¼¼¿üÀ¸³ª ¿º´¿¡ °É·È°í Àǻ簡 °íÁýÇÑ »çÇ÷¿ä¹ýÀ¸·Î º´ÀÌ ´õ ¾ÇÈµÇ¾î °ð Á×¾ú´Ù. ±×¸®½º Àüü°¡ ±×ÀÇ Á×À½À» ½½ÆÛÇßÀ¸¸ç, ±×´Â »ç»ç·Î¿î ¿å½É¾øÀÌ ÇÑ ³ª¶ó¸¦ ±¸ÇÏ°íÀÚ ¾Ö¾´ ÀÚÀÇ »ó¡ÀÌÀÚ ±×¸®½ºÀÇ ±¹°¡Àû ¿µ¿õÀÌ µÇ¾ú´Ù. ½Ãü´Â ¿µ±¹À¸·Î ¿Å°ÜÁ³À¸³ª ¿þ½ºÆ®¹Î½ºÅÍ ´ë»ç¿øÀÇ ¾ÈÄ¡°¡ °ÅºÎµÇ¾î ´º½ºÅ×µå ±Ùó¿¡ ÀÖ´Â Áý¾È ³³°ñ´ç¿¡ ¹¯Çû´Ù. ¹¦ÇÏ°Ôµµ 145³â µÚÀÎ 1969³â¿¡ ±×¸¦ ±â³äÇÏ´Â ºñ°¡ ¿þ½ºÆ®¹Î½ºÅÍ ´ë»ç¿ø¿¡ ¼¼¿öÁ³´Ù. L. A. Marchand ±Û (Ãâó : ºê¸®Å´ÏÄ¿¹é°ú»çÀü)
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Poems | |
1802 | On the Death of a Young Lady
To E- |
1803 | To D-
Epitaph on a Beloved Friend A Fragment ("When, to their airy hall, my fathers' voice...") On Leaving Newstead Abbey |
1804 | Lines ("Dear simple girl, those flattering arts...")
Adrian's Address to His Soul When Dying Translation from Catullus: Ad Lesbiam Translation of the Epitaph on Virgil and Tibullus, by Domitius Marsus Imitation of Tibullus Translation from Catullus Imitated from Catullus Translation from Horace From Anacreon ("I wish to tune my quivering lyre...") From Anacreon ("'Twas now the hour when Night had driven...") From the Prometheus Vinctus of Aeschylus |
1805 | To Emma
To M.S.G. To Caroline (Byron) Stanzas to a Lady, with the Poems of Camoens The First Kiss of Love On a Change of Masters at a Great Public School To the Duke of Dorset Fragment |
1806 | Granta
On a Distant View of the Village and School of Harrow on the Hill To M- To Woman To M.S.G. To Mary To Lesbia Lines Addressed to a Young Lady Love's Last Adieu Damaetas To Marion To a Lady Oscar of Alva The Episode of Nisus and Euryalus Translation from the Medea of Euripeded Thoughts Suggested by a College Examination To a Beautiful Quaker The Cornelian An Occasional Prologue On the Death of Mr. Fox The Tear Reply to Some Verses of J.M.B. Pigot, ESQ., on the Cruelty of his Mistress To the Sighting Strephon To Eliza Lachin y Gair (Dark Lochnagar) To Romance Answer to Some Elegant Verses Sent by a Friend to that Author, Complaining that one of his Descriptions Was Rather Too Warmly Drawn Elegy on Newstead Abbey Childish Recollections Answer to a Beautiful Poem To a Lady Remembrance L'amittie est L'amour Sans Ailes The Prayer of Nature |
1807 | To Edward Noel Long, Esq.
To a Lady I Would I Were a Careless Child When I Roved a Young Highlander To George, Earl Delawarr To the Earl of Clare Lines Written beneath an Elm in the Churchyard of Harrow The Adieu To a Vain Lady To Anne To the Same To the Author of a Sonnet On Finding a Fan Farewell to the Mise To an Oak at Newstead On Revisiting Harrow Epitaph on John Adams, of Southwell To My Son |
1808 | Farewell! If Ever Fondest Prayer
Bright Be the Place of Thy Soul When We Two Parted To a Youthful Friend Lines Inscribed Upon a Cup Formed From a Skull Well! Thou Art Happy Inscription on the Monument of a Newfoundland Dog To a Lady Remind Me Not, Remind Me Not There Was a Time, I Need Not Name And Wilt Thou Weep When I Am Low Fill the Goblet Again |
1809 | Stanzas to a Lady, On Leving England
Lines to Mr. Hodgson Occasional Pieces to Florence Lines Written in an Album, At Malta Stanzas Composed During a Thunderstorm Stanza Written in Passing the Ambracian Gulf |
1810 | The Spell Is Broke, The Charm is Flown!
Written After Swimming From Sestos to Abydos Lines in the Travellers' Book at Orchomenus Maid of Athens, Ere We Part Translation of the Nurse's Dole in the Medea of Euripides My Epitaph Substitue for an Epitaph |
1811 | Lines Written Beneath a Picture
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1812 | Remember Thee! Remember Thee!
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1813 | The Giaour
The Bride of Abydos |
1814 | The Corsair
Ode to Napoleon Bonaparte |
1815 | Jeptha's Daughter ("Since our Country ? our God ? oh my Sire")
Warriors and Chiefs All Is Vanity, Saith the Preacher Vision of Belshazzar ("The King was on his throne") The Destruction of Sennacherib ("The Assyrian came down like the wolf on the fold") Thou whose spell can raise the dead Francisca ("Francisca walks in the shadow of night") A spirit pass'd before me They say that Hope is happiness My soul is dark She walks in beauty Stanzas for Music Lara Hebrew Melodies |
1816 | Darkness
Prometheus Sonnet on Chillon (also the prelude to The Prisoner of Chillon) The Prisoner of Chillon The Dream The Siege of Corinth Parisina |
1817 | Beppo
So We'll Go No More A-Roving The Lament of Tasso |
1818 | Childe Harold's Pilgrimage (1812-1818)
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1819 | Stanzas to the Po
Mazeppa The Prophecy of Dante |
1820 | Marino Faliero
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1821 | Sardanapalus
The Two Foscari Cain The Vision of Judgement Heaven and Earth |
1822 | Werner
The Deformed Transformed |
1823 | The Age of Bronze
The Island |
1824 | On This Day I Complete My Thirty-sixth Year
Don Juan (1819-1824, left incomplete in 1824) |
Epitaphs | |
Epitaph to a Dog
Epitaph for Castlereight |
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Prose works | |
The Death of Calmar and Orla
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Dramas | |
1817 | Manfred, a dramatic poem
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Poem Collections | |
Hours of Idleness (1807)
The Hebrew Melodies (1815) |
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Ãâó http://en.wikisource.org/wiki/Author:George_Gordon_Byron |